Sony ILME-FR7 Cinema Line Full-frame PTZ Interchangeable Lens Robotic
Hurry up, only 1 item left in stock.
Couldn't load pickup availability
Offering New, Open Box & Refurbs at 10-50% Off Retail
Helping you save money since 2001
Product Condition
Product Condition
Product Details
Product Details
Capture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects. The FR7 combines a 4K full-frame sensor and compatibility with Sony E-mount lenses to produce outstandingly expressive, cinematic imagery. 15+ stops of dynamic range and a base ISO of 800 that is expandable from 12,800 to 409,600 for capturing optimal video in an array of lighting conditions. Compatibility with up to 70 Sony E-mount lenses covers a range of 12 to 1200. Enables you to capture the widest vistas and the closest details. Use with G Master (GM) lenses to obtain impressive resolution and pleasing bokeh. Capture rich detail and wide color using Sony S-Log3 and create nuanced contrast with Hybrid Log Gamma (HLG). An integrated, electronic ND filter offers variable ND filtration ranging from 1/4 (2 stops) to 1/128 (7 stops). Use the ND filter to compensate for changes in exposure without affecting your depth of field. Create shallow depth-of-field effects by adding the ND and opening the iris. The FR7 can output raw video via the SDI (BNC) output to an external recording for color grading and other post-production tweaking. Record UHD 4K video at rates up to 120 fps for slow-motion effects. Use the IP remote function to control your camera from a distance like a broadcast truck and/or to control multiple cameras. Slow, smooth pan and tilt movements enable you to unobtrusively zoom in on the action and reframe accordingly. Output video using the HDMI and up to 12G-SDI video outputs. Stream RTSP, SRT, or NDI|HX (requires NewTek license) using the LAN port. The included IR remote can be used for pan, tilt, zoom (PTZ), focus, recording, playback, and other camera settings. Use with the separately available RM-IP500 control panel with joystick zoom rocker, and buttons. Web app remote control can be accessed from a tablet or PC browser. Mount on a tripod or riser using the two 1/4"-20 threads. Use the optional mount to attach the FR7 camera to a ceiling. Attach camera accessories using the 15mm rod mounts. Bring a cinematic look to your PTZ capture and match footage from other Sony cameras with the S-Cinetone picture profile. The Cine EI mode with MLUT management can be used with S-Log3 or raw recording. XAVC recording with metadata capture supports up to 10-bit, 4:2:2 color and HDR recording. Fast hybrid autofocus with face detection and touch tracking enable you to keep even dynamic action in focus. Quick control with up to 100 preset positions. A robust interface includes a LAN port for network and PoE++ use, timecode input, a genlock connector, and red/green tally indicators. Dual media slots are compatible with both CFexpress Type A and SDXC memory cards.
| Model Number | ILME-FR7 |
| Product Name | Sony ILME-FR7 Cinema Line Full-frame PTZ Interchangeable Lens Robotic Camera |
| Product Type | Robotic Camera |
| Mass | Approx. 4.6 kg (body only), Approx. 10 lb 2.3 oz, Approx. 6.0 kg (with SELP28135G LENS), Approx. 13 lb 3.6 oz (with SELP28135G LENS) |
| Power Requirements | DC 19.5 Voltage, PoE++ (IEEE802.3bt Type 4 Class 8 compliant) 41.1 Voltage~57.0 Voltage |
| Power Consumption | 80 Watts (DC 19.5 Voltage), 71.3 Watts (PoE++) |
| Ceiling Mount | Yes (with Ceiling Bracket option) |
| Tally Ramp | Left(x1)/Right(x1), Red/Green |
| Recording Format (Video) | [XAVC Intra] XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I |
| Recording Format (Audio) | LPCM 24 bits, 48 kHz, 4 channels |
| Recording Frame Rate | [XAVC Intra] XAVC-I DCI4K mode:4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p XAVC-I QFHD mode:3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p XAVC-I HD mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p [XAVC Long] XAVC-L QFHD mode:3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 50 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 35 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p |
| Recording - Playback Time | [XAVC Intra] XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB) Approx. 30 minutes When using CEA-G80T (80 GB) Approx. 15 minutes XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes When using CEA-G80T (80 GB) Approx. 17 minutes XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB) Approx. 35 minutes XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80 |
| Recording Format (Proxy Audio) | XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| Recording Format (Proxy Video) | XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR, 1920 x 1080, 9 Mbps |
| Lens Mount | E-mount |
| Imaging Device (Type) | 35 Millimeter full frame (35.6 x 23.8 Millimeter ), Exmor R CMOS sensor |
| Number of Pixels (total) | Approx. 12.9 megapixels |
| Number of pixels (effective) | Approx. 10.3 megapixels |
| Built-in Optical Filters | Clear, linear variable ND (1/4ND to 1/128ND) |
| ISO Sensitivity | ISO 800/12800 (Cine EI mode, D55 Light source) |
| Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| Focus Point | 627 points |
| Focus Area | Wide / Zone / Flexible Spot |
| Other Focus Features | Eye AF (Human), AF Subj. Shift Sensitivity, AF Transition Speed, Face detection (Face/Eye Priority, Face/Eye Only AF), Real-time Tracking AF |
| Output Format / SDI | 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF |
| Output Format / HDMI | 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 720 x 480 / 59.94p, 720 x 576 / 50p |
| Clear Image Zoom | QFHD/4K: 1.5x, HD: 2x |
| Shutter Speed | 64 frame to 1/8000 sec |
| Slow and Quick Motion Function | XAVC-I/L 3840 x 2160 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98) 1920 x 1080 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) |
| White Balance | Preset, Memory A(2000K-15000K)/ATW |
| Gain | 3 to 30 dB (every 1dB), AGC |
| Gamma Curve | SDR Mode :S-Cinetone, Standard, Still, ITU709 HDR mode: HLG_Live, HLG_Natural |
| Latitude | 15+ stop |
| Pan - Tilt Angle | Pan: -170 deg. ~170 deg., Tilt: -30 deg. ~195 deg. |
| Pan - Tilt Speed | Pan: 0.02 deg. to 60 deg./s, Tilt: 0.02 deg. to 60 deg./s |
| Quietness | NC35 or less |
| Preset Position | 100 |
| Audio Input | XLR-type 5-pin (female) (x1), line/mic/mic +48 V selectable, Mic Reference: -30 to -80 dBu |
| SDI Output | BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI |
| HDMI Output | Type-A connector (x1) |
| Genlock Input | BNC (x1), 1.0 Vp-p, 75 O |
| Optical Output | SFP+ compliant video is same as SDI, video output only |
| DC Input | DC jack(x1) |
| Network | RJ-45(LAN) (x1), 1000BASE-T |
| Remote Control | RJ-45(OPTION) (x1), Red Tally IO/Green Tally IO |
| IR Remote Control | Yes |
| TC Input/TC Output | BNC (x1), TC IN only |
| Protocols IPv6 | TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS |
| Protocols IPv4 | TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS |
| Video Resolution | 4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360 |
| Compression Format | H.264: High/Main/Baseline Profile, H.265: Main/Main10 Profile |
| Maximum Frame Rate | H.264: 59.94fps, H.265: 59.94fps |
| Bitrate Control Mode | CBR/VBR |
| Range of Bitrate Setting | 512 Kbps~80 Mbps |
| NDI | HX capability|Yes Option |
| Supported operation systems - Windows, Mac, iPad, Android, | Windows 10 or later, macOS 10.15 or later, iPadOS 15 or later, Android 12 or later, Google Chrome, Google Chrome, Safari, |
| Media Type | CFexpress Type A / SD card (x2) |
| Screen Reader | Yes (Language: English, Speed: 7 steps, Volume: 15 steps) |
| Broadcast Output | NTSC/PAL |
| Presets | 3 via IR, 100 via IP |
| Dimensions | Width 9 x Height 11 1/2 x Depth 9 1/4 inches |
Shipping & Returns
Shipping & Returns
- Shipping: Most orders ship the same business day when you place your order before 4pm MT.
- Returns & Warranty: We have a 30 day return policy and for defective returns, Tech For Less will give you a full refund and will arrange for and pay all shipping costs. Most products have a Manufacturer warranty.
Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.